Sennheiser EW 300 IEM G2 - ANNEXE 141 User Manual download pdf (Page 170)

PROFESSIONNALISER SA CAMÉRA MINI DV EN VUE D'UNE EFFICACITÉ DOCUMENTARISTE (TUTORIEL)

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Février-avril 2007 - version 1.0

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riders can only look down (or at the ceiling). If possible, book

a helicopter with clean windows. Some pilots polish the bubble

every morning; others have windows oggier than waxed paper.

Chartered helicopters, where you are the only passenger, are much

more expensive than the shared scenic rides, but allow you far

more flexibility on what you can shoot. Some pilots will allow

you to remove a door and seat so that you have an unobstructed

view out the side of the chopper. Regulations insist that you be

strapped in and it's wise that your camera also be tethered. If

you have a lens cap at the end of a string, you'll want to remove

it so that it doesn't flap in the wind.

Some pilots won't let you use a full-sized camcorder in the front

seat; it blocks their view. This is one advantage of using a

tiny, Hi 8 or SVHS-C or DV palmcorder rather than a giant Betacam

or MII configuration. The lower picture quality is balanced

nicely against the greater access to places and freedom of motion

when shooting.

Take an early morning flight, if possible, especially at higher

altitudes (2000 feet). The air is less hazy; there is more clear

sky (better light for brighter colors) and shadows are more

pronounced. Afternoon is often the worst time.

Try a polarizing lens attachment (about $25 to $50) to cut haze

and window reflections. Watch out though, it may also pick up

strange rainbow patterns in the plastic windows. Check it out.

Since your viewfinder is probably monochrome, try holding the

polarizer up to your eye and rotate the polarizer while watching

for rainbow artifacts. Incidentally, polarizers only work when

rotated to a certain position. Experiment with them to find a

position that works most of the time. Mark it to indicate "this

end up" so you don't have to diddle with your lens while flying.

Haze or UV (ultraviolet) filters (about $25) reduce haze a

little, but don't reduce reflections from glass or water like

polarizers do. Circular polarizers ($40) aren't necessary on

video cameras, only single lens reflex 35mm cameras. Switch your

camera to manual focus and focus on infinity. No sense taking a

chance on a confused autofocus; everything is far away anyway.

Zoom out to deemphasize shakes and vibrations. Zoom half way in

occasionally if you need to show something. If possible, detach

your viewfinder from your camera so that you can hold your camera

in a comfortable position without craning your neck. Although the

viewfinder allows you to aim the camera with precision and also

displays status messages from your camera, feel free to cheat a

little, ungluing your eye from the 1" black-and-white viewfinder

and enjoying some of your trip with your eyes in 3-D, high

resolution color. Video work is supposed to be fun, isn't it?

Hold the camera level and steady close to an open window (best)

or clear section of forward looking window (good), looking away

364 «PD170: prises de vues à travers pare brise »,

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1 1
Sous Créative Commons 2
 Vous êtes libres : 3
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 Un index des savoir-être 16
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Une vie autre 26
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« pendant une semaine » 40
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sur la 44
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battery - which does 57
I just shot a 57
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Élève les êtres, nourris-les 63
Sans chercher à les asservir 63
Œuvre sans rien revendiquer 63
Voilà la vertu mystérieuse 64
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La démarche de Peter Utz 81
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Cristallisation 85
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VERTUEUSES ? 92
 Lier technique et pratique 92
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 2. Normalisez 111
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 Le catalogue Manfrotto 127
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 Les drops des bandes DV 138
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Filmer dans la pénombre 152
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 Milieux humides 160
 Les moisissures 160
: un article de Michel Lo 160
 Emballer et assécher 161
 Du froid au chaud 162
 Sous la pluie 163
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 Milieux froids 165
 Tournages en hélicoptère 169
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Par wilderness, on définit 171
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distant 193
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« Brigitte CHEVET 211
C'est que 212
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 « Guide pratique » 223
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Techniques 235
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INDEX DES SAVOIR-ÊTRE 246
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Robert ............. 143 250
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INDEX DES MOTS DE LA VIDÉO 256
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Sennheiser EW 300 IEM G2 - ANNEXE 141 User Manual Page 170

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