Sennheiser EW 300 IEM G2 - ANNEXE 141 User Manual Page 208

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PROFESSIONNALISER SA CAMÉRA MINI DV EN VUE D'UNE EFFICACITÉ DOCUMENTARISTE (TUTORIEL)
Xpl
208
Février-avril 2007 - version 1.0
http://documentaires.ouvaton.org
your project, but it shouldn't be about you.
Shoot from a safe spot. Harder to do with the zoom lens of a DVX
which is less than what I would like. Shoot from inside cars. A
little window tint does wonders. Just like a duck blind, you'll
get the shots if they don't see the camera. There are plenty of
other out of the way spots to see but not be seen. The key,
again, is to always have an escape route. Don't put yourself and
your equipment in a spot where you can't leave when you want to.
Have a plan! Include in that plan the possibility you may not get
what you wanted the first time and you'll have to enter the area
again later. If you have a conflict, it may mean you can never
enter the area again which will ruin your ultimate goal.
Be low key and as invisible as possible. Don't be silly and set
up your sticks in the open and then wonder why you aren't getting
what you want. An obvious camera will always inhibit capturing
reality unless you are in the middle of a street riot or war
zone.
Leave the weapons at home. Your best weapon is your own common
sense. Knowing when to leave and when to go back in to get more.
Be smart and good luck
453
».
Face aux autorités douanières, policières, il faut avoir une
attitude « décontractée » caractéristique de l'image du
« touriste » que vous êtes aussi :
« You are there as a tourist, yes ? It is not a crime to try to
make your vacation video as good as possible, with some pre-
planning and good gear. If the material turns out good enough to
be used professionally, what a nice surprice back home! So, if
the police question you when shooting, just act surpriced and
dumb. You are a TOURIST!
454
».
La question du « paraître » n'est pas superficielle :
« Carry your gear in wrapped in a fleece or something in a normal
day backpack, not a professional hard case with everything
inside. If and when there are more than one person in the group,
have somebdy else carry the sound gear and act like you did not
know him/her, do not act like a group. You are a video hobbyist
with a good amateur camera. The other person looks like a sound
collector or something. After getting past customs you can
reunite
455
».
Celle des « droits » du photographe aussi,
http://www.krages.com/ThePhotographersRight.pdf
453 Lensmith, 01-13-2006, 07:50 AM , « Filming in City Streets »,
http://www.dvxuser.com/V6/showthread.php?t=42477&page=3&highlight=street
454 Petrus, 12-02-2005, 11:22 PM, « Legality of filming in Thailand »,
http://www.dvxuser.com/V6/showthread.php?t=39658
455 Petrus, 12-02-2005, 11:22 PM, cité Supra.
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