Sennheiser SpeechLine Instruction Manual Page 7

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Sennheiser SpeechLine – True the word
6 | SpeechLine IS microphone series
Pick-up patterns of the microphones
Omni-directional pick-up pattern
Cardioid pick-up pattern
Super-cardioid pick-up pattern
Hyper-cardioid | lobar pick-up pattern
Positioning the microphones
A) Distance from the speaker
Basically, the nearer a speaker is to the microphone, the higher the speech
intel
ligibility. For this reason, gooseneck microphones are optimal from an
acoustic point of view. They position the microphone capsule close to the
speaker while offering excellent orientation.
Boundary layer microphones do not achieve the excellent acoustic
characteristics of gooseneck microphones, but they can be positioned
especially unobtrusively. These microphones can be integrated into any
room due to their small size and the colors they are available in. As a result
of the so-called boundary layer effect, the signal picked up by the
microphone capsule is amplified on a surface (for example a table or a
ceiling panel). In this way, part of the distance to the speaker can be
compensated for again.
B) One microphone for each speaker
In the ideal case, a dedicated microphone is used for each speake
r. This
allows the best possible orientation and distance to the speaker to be
ensured at all times. It is also possible to choose a narrower directional
characteristic. This allows noise coming from the side as well as acoustic
reflections to be minimized, resulting in the highest speech intelligibility.
C) “Shared microphones” - several sp
eakers share one microphone
One microphone per speaker is ideal, but
one microphone shared by two
speakers is often adequate for many applications. A microphone with a
sufficiently wide opening angle should be selected here. The microphone
can thus pick up both speakers if installed centrally before them.
MEB 102-L
MEB 102
An omni-directional pattern picks up the sound uniformly from all
directions.
MEB 104-L
MEB 104
MEG 14-40L
MEG 14-40
ME 34
A cardioid pattern has a wide directional characteristic, i.e. a wide
opening angle. Sound hitting the rear of the microphone is
filtered out completely.
ME 35
A super-cardioid pattern has a slightly stronger directional
characteristic than the cardioid pattern, so it suppresses noise
coming from the side even more strongly but also picks up some
of the sound coming from the rear.
ME 36
A hyper-cardioid or lobar pattern has the strongest directional
characteristic, i.e. it provides the maximum suppression of sound
coming from the side, but it also picks up sound coming from the
rear. However, the ratio is lower than it is with the super-cardioid
pattern.
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